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Dubai opens window to priceless Islamic legacy
Dubai opens window to priceless Islamic legacy Staff Reporter / 19 March 2014 Offers preview of Aga Khan Museum, the first Islamic art showcase in N. America. Michelangelo. Leonardo da Vinci. Velazquez. Cezanne. Van Gogh. Sir Joshua Reynolds. Jackson Pollock. Name the artists famed worldwide and you won’t find a single Islamic artist among them, that is, not one known to the man on the street. “Most people can’t name a single Muslim artist. I find this terrible,” says Henry Kim, curator and historian. Shaikh Nahyan (3rd from R) at the preview of the Aga Khan Museum at the Ismaili centre in Dubai. He is flanked by Shaikh Ahmed bin Saeed Al Maktoum, President of Civil Aviation Authority and Chairman of The Emirates Group, Arif Lalani, Ambassador of Canada to the UAE, and other officials — KT Photos by Juidin Bernarrd Though Islamic art has been flourishing for over 1,400 years spread over a vast canvas stretching through Europe, Africa, the Middle East and Asia, its amazing beauty and diversity is yet to gain the recognition it deserves. But come autumn and the lacuna will be addressed as the Aga Khan Museum, the first museum in North America devoted solely to Islamic art, opens in Toronto. The sprawling museum, designed by Japanese Fumihiko Maki, will display over 1,000 artefacts from the personal collection of the Aga Khan and his family. “It will be a proud destination for Muslim and non-Muslim visitors, showcasing the art, science, music and philosophy of Islamic culture,” adds Arif Lalani, Canadian ambassador to the UAE and Canada’s Special Envoy to the Organisation of Islamic Cooperation. A tour of the Aga Khan Museum The Aga Khan Museum, says Henry Kim, its director and CEO, would promote art and culture of the Muslim world and build bridges between cultures. Besides the museum, the three-pronged project also has a park designed by Vladimir Djurovic and an Ismaili Centre planned by Charles Correa. Nearly 1,700sq m space has been kept aside for both permanent and temporary exhibitions. The objects on display are as various as the Holy Quran in different scripts, illustrations of classics like Firdausi’s Shah-Nameh (The Book of Kings), carpets, jade ware and exquisite ceramic art that shows the influence of China. Muslim explorers and navigators left an indelible mark on history. The museum pays a tribute to them, especially through its display of astrolabes, the navigating tool used by sailors of all religions to find their way by calculating planetary positions. The preview has an exquisite bronze astrolabe made in the 18th century by Qazi Ali of Iran. A special place will be given to the section of art pieces called In search of artists. The art here is all signed by the artists and Kim hopes it will help familiarise the audience with Muslim artists as well. There will also be a Garden of Ideas section, focusing on different countries. Since the Aga Khan Museum plans to bring the sights, rhythms and sounds of Islamic culture as well, Japanese architect Fumihiko Maki has created a state-of-the-art elegant auditorium that can seat 350 people and will host regular performances. sudeshna@khaleejtimes.com With Dubai being a cultural hub, the museum chose the emirate to offer a preview on Tuesday. “I wish that we were gathering today to open the Aga Khan Museum in the United Arab Emirates,” said a wistful Shaikh Nahyan bin Mubarak Al Nahyan, the UAE’s Minister of Culture, Youth and Community Development, in his keynote address at the event. Islamic art, with its astonishing plurality, is an important part of the heritage of mankind. “The museum preserves important artefacts of our Islamic heritage,” Shaikh Nahyan said. “They communicate our history, culture, and art. Those artefacts convey a clear sense of Muslim diversity, a diversity that deserves global prominence.” “Culture and art are important for peace, understanding and harmony in the world,” Shaikh Nahyan added. A deeper appreciation of art and culture leads to goodwill and friendship, building bridges between diverse religions, cultures and backgrounds for a peaceful and prosperous world. Shaikh Nahyan also referred to the 88th Ogden memorial lecture delivered last month by the Aga Khan at the US Ivy League Brown University to emphasise why the world needs to retain its diversity: When people stop learning and understanding each other’s cultures, it leads to misunderstanding and hostility. Today’s world, being inter-connected, requires a thoughtful, renewed commitment to pluralism. “We understand the wisdom of that response,” Shaikh Nahyan said. “We are a cosmopolitan society bound by mutual respect and understanding… Art allows us to celebrate the principles and values that unite us across national and cultural boundaries and highlights our common values and pursuits.” He also quoted the UAE President, His Highness Shaikh Khalifa bin Zayed Al Nahayan: “The United Arab Emirates has relied, and will continue to rely, on the rich and diverse contributions of its true wealth, its people, to guarantee its prosperity.” Several factors contributed to make Dubai ideal for the preview. The host of the event, the Ismaili Centre Dubai, has been organising a series of cultural programmes since its inception in 2008 to share knowledge with other communities. Also, the preview comes during Art Dubai, the annual event drawing VIPs and art connoisseurs to select sites where art displays are held. Finally, as the Canadian ambassador said, Canada admires the UAE’s diversity and the Dubai preview would introduce the Aga Khan Museum to the Middle East. While Toronto would have the Islamic art museum, Abu Dhabi would have the Louvre Abu Dhabi and both countries would be home to world-class museums. sudeshna@khaleejtimes.com For more news from Khaleej Times, follow us on Facebook at facebook.com/khaleejtimes , and on Twitter at @khaleejtimes Continue reading
Dubai Design District woos top brands
Dubai Design District woos top brands Amanda Fisher / 19 March 2014 Dubai Design District, whose first phase opens in Jan 2015, makes a presentation before international delegates. Less than a year away from opening the first phase of Dubai Design District, the city’s latest industry hub is on a charm offensive to woo international brands. Dozens of British designers and brand owners are in town this week, as part of an international United Kingdom Trade and Investment (UKTI) ‘GREAT’ campaign to further ties with key industries in eight countries around the world, including China and Hong Kong. The designers, who paid to be a part of the delegation in an effort to expand their business in the Middle East, had a presentation by Dubai Design District (d3) top brass, including managing director Lindsay Miller. This follows a delegation from Italy last week, while designers from Lebanon are set for similar treatment in the coming days. But the exercise is aimed equally at small-time start-up designers as the elite international fashion houses, with the Dh4-billion development expected to house 10,000 people in the first phase — which will see nine buildings open by January 2015. Women’s wear designer Cristina Sabaiduc is hoping to grow the eponymous boutique label that she launched 18 months ago. Currently based in London’s trendy Shoreditch area — aptly the district that d3 has taken inspiration from in its plans — Sabaiduc says she sees a market for her fashion in Dubai. “I focus on a lot of big shawls and scarves and beautiful silks, and I think there’s a lot of demand for that in the Middle East.” While she was not yet selling in this region, Sabaiduc said she was in talks with people in Dubai’s fashion industry. She said while d3 would not be the same as a design district like Shoreditch that evolved organically, if the development was done well it would thrive like other design hotspots of the world. “If you provide the right facilities and operations, there’s a hunger for it here and I think that will almost overtake the fact that it’s been created…it could definitely work.” D3’s tax-free benefits, which guarantee 50 years without needing to pay taxes, seemed to be the major attraction to others interested in branching out in the region. Lascivious lingerie creative director and founder Chloe Hamblen said the tax-free provisions drew the attention of most brands at the presentation — all of whom were looking to expand in the region. “The reason why we have taken the time to come out is because that’s what we’re aiming to do.” Others present said having the design, art, fashion and luxury sectors combined in one place — along with other services like marketing and PR — would be a draw card, while the tax-free provisions may be the impetus needed to take the risk. UKTI Retail Sector Specialist Fred Bassnett, who is leading delegates in the UKTI’s UAE campaign this week, told Khaleej Times the country was one of the top three markets for UK brands, along with the US and China/Hong Kong. “There’s only London in the world that has the selection of brands that we have. Here in Dubai it’s seen clearly by the UK industry…as a market that they want to be involved in because of the high profile and the actual spending profile of not only the local populace, but also the tourism populace.” He said initiatives like the UKTI’s were “hugely important” in helping the UK economy recover after taking a hammering during the global economic recession. But brands like Sabaiduc’s say they are worried about the costs involved being part of d3 and feel they may not have a space there. Subaiduc said in an ideal world, she’d be able to open a second office in d3, but it was more realistic her foray into the MENA market would initially be limited to exhibition spaces and fashion shows. “For small businesses, it’s a big gamble (to open an office overseas).” However, D3’s Miller says there is a place for designers of all sizes. “We do have specific start-up packages and we have facilities to consider all kinds of elements of the value chain.” While the bigger brands would likely be established in the exclusive real estate in d3, for example with waterfront views, there were offices of different sizes in different locations to suit varied budgets. She said there was also the option of sharing working spaces, facilities and equipment such as 3D printers with other companies. “It’s important for this zone to have all segments, not just luxury and not just emerging and we’ve reflected that in the pricing and the product design.” Miller said the reason d3 was targeting international brands was to engender “cross-pollination” of the kind that would lead to the creation of unique designs, as well as collaboration. “If we can bring all of this talent together, design at the end of the day is a suggestive product…it’s really about what the consumer appetite is for your product and that’s a lot about bringing different designer viewpoints together.” But courting international brands may also drive up competition for local designers wanting a presence there. While Miller would not reveal how much space had already been contracted to particular companies, she said there had been 550 different approaches in the six months since the initiative was announced. She said she expected to be at full capacity by early next year, around the launch date. amanda@khaleejtimes.com For more news from Khaleej Times, follow us on Facebook at facebook.com/khaleejtimes , and on Twitter at @khaleejtimes Continue reading
Saudi demands Qatar modify its policies: Report
Saudi demands Qatar modify its policies: Report (AFP, Wam) / 19 March 2014 UAE issues clarification on audience between Qatari Foreign Minister and acting UAE Charge d’Affaires in Doha. Saudi Foreign Minister Saud Al Faisal has warned there will only be rapprochement between Riyadh and Doha when Qatar “modifies” policies at the centre of their spat, a newspaper reported on Tuesday. Saudi Arabia, Bahrain and the UAE earlier this month recalled their ambassadors from Qatar after accusing the fellow Gulf Cooperation Council (GCC) state of interfering in their internal affairs and of supporting the Muslim Brotherhood. “There will be detente if Qatar modifies the policies that are at the origin of the crisis” with its neighbours, Prince Saud said in a short statement published by pan-Arab newspaper Al Hayat on Tuesday. He added that there will be “no American mediation to put an end to the crisis”. Saudi Arabia at a March 5 meeting of the GCC demanded that Doha shut down the Qatari-owned television station Al Jazeera, an informed source said. Riyadh also called for the closure of two think-tanks based in Qatar, the Brookings Doha Centre and the Arab Centre for Research and Policy Studies. UAE clarifies Meanwhile, Maryam Al Falasi, Director of Media Department, UAE Ministry of Foreign Affairs, issued a statement on a news story by Qatar News Agency on Monday night about an audience between Qatari Foreign Minister Khalid bin Mohammad Al Attiyah and the acting UAE Charge d’Affaires in Doha on Monday. Al Falasi said the UAE Embassy in Qatar had requested on January 5, 2014, the delivery of a message dated December 12, 2013, from His Highness Shaikh Mohammed bin Rashid Al Maktoum, Vice-President and Prime Minister of the UAE and Ruler of Dubai,to the Amir of Qatar, His Highness Shaikh Tamim bin Hamad Al Thani, dealing with the UAE’s winning of the bid to host World Expo 2020 in Dubai. She added that the message was a courtesy the UAE sent to sisterly and friendly countries after the Dubai win of the Expo bid. She also clarified that both the note and meeting had nothing to do with the recent developments which led Saudi Arabia, the UAE and Bahrain to withdraw their ambassadors from Doha. For more news from Khaleej Times, follow us on Facebook at facebook.com/khaleejtimes , and on Twitter at @khaleejtimes Continue reading